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The new home­page is ready!

The new home­page is ready!

Rathausstrasse office build­ing

Mauer­bach res­i­den­tial com­plex

DG Julius Tan­dler Platz

Garage Freyung

Garage Wind­mühl­gasse

Het­zen­dorf res­i­den­tial build­ing

Sum­mer house Geroldgasse

NHM Geol­o­gy Hall

Stilt house Klosterneuburg

WB Althan Quar­ter

Cot­tage quar­ter town­house

Apart­ments Prater­straße

School project

Exhi­bi­tion Hedy Lamarr

Chair Up — Vien­na Design Week

Gumpen­dorf office

Clothes rack and lamp

Alberti­na sausage stand

Amer­i­can Bar Remake

Mov­ing Space

Garage Votiv­park

Sausage stand Prater

Juice bar Opern­gasse

Siegfriedgasse town­house

Semi-detached hous­es Bre­it­en­furt

WB MUFU

Turk­ish snack bar

DG Lan­des­gerichtsstraße

Career coun­sel­ing BIWI

Exhi­bi­tion The­ater Muse­um

Ephrus­sis exhi­bi­tion

Exhi­bi­tion Kurt Klags­brunn

The Vien­nese Roth­schilds

Two current construction sites February 7, 2024

How can exist­ing cores be con­densed with­out shift­ing the scale?
» Wei­dling res­i­den­tial com­plex
» Res­i­den­tial build­ings Klosterneuburg

New homepage in the Nikolostiefel! December 6, 2023

New homepage in the Nikolostiefel!
December 6, 2023

We have includ­ed cur­rent projects and reor­ga­nized the cat­e­gories. In the “stud­ies” we think about col­or, font and every­thing that does­n’t fit any­where else.
And of course our mobile ver­sion has also been revised!

TURN ON 2023 February 20, 2023

Col­or — light — room atmos­phere
In dia­log: Gre­gor Schu­berth and Thomas Hell­weg, Fa. XAL
Fri­day, March 3, 17:45 at the Radio-Kul­turhaus.
” TURN ON

Room 6 “The Earth” — ready! February 20, 2023

Open­ing: Feb­ru­ary 22, 2023, Nat­ur­al His­to­ry Muse­um Vien­na Bur­gring 7, 1010 Vien­na
Exhi­bi­tion design and devel­op­ment of the inter­ac­tive sta­tions
Cura­tion: Math­ias Harzhauser, Agnes Maier, Julia Land­siedl (Design NHM)
” NHM Vien­na
” read more

We are also on You-Tube December 15, 2022

To relax, we like to make our own lit­tle ani­ma­tions.
” Here is a selec­tion of our favorite films
” favorite 2022: The New Jol­ly

Finally finished! October 14, 2022

Christoph Panz­er pho­tographed the new Siegfriedgasse town­house project for us.
” read more
” here on YouTube

Garage Freyung July 5, 2022

As places, garages are pure in-archi­tec­ture. They should be clear, safe and pleas­ant. We were able to test this in Park­garage Freyung in Vien­na. Each floor is kept in its own pas­tel shade. Impor­tant tran­si­tions are marked with black mosa­ic tiles.
” read more
” here on YouTube

“built 2021” June 2, 2022

Award for juice bar in the Opern­pas­sage
“The City of Vien­na — Archi­tec­ture and Urban Design (MA 19) is show­ing high-qual­i­ty archi­tec­tur­al projects that were com­plet­ed in 2021 in the “gebaut 2021” exhi­bi­tion. The “gebaut 2021” archi­tec­ture prize was award­ed to 27 pio­neer­ing, inspir­ing and exem­plary new build­ings, exten­sions and con­ver­sions in Vienna’s urban area that also con­tribute to social sus­tain­abil­i­ty and cli­mate pro­tec­tion.“ 
” read more

The Viennese Rothschilds. A thriller. March 3, 2022

Pho­tog­ra­ph­er Michael Dürr has cre­at­ed an atmos­pher­ic trail­er that shows the spa­tial rela­tion­ships and flow of move­ment that are so impor­tant to us when design­ing an exhi­bi­tion.
” here on YouTube

/ About us /

Our field of activ­i­ty ranges from res­i­den­tial and office build­ings (Buwog head­quar­ters) to inner-city sausage stands (“Bitzinger”), exhi­bi­tion designs and artis­tic projects. Tech­ni­cal knowl­edge and expe­ri­ence accom­pa­ny the imple­men­ta­tion. Archi­tec­ture and inte­ri­or design are always close­ly inter­twined. We have been imple­ment­ing our qual­i­ty stan­dards as sib­lings togeth­er with the team since 2005.

/ Dialog /

Some hous­es are like old build­ings even before they are fin­ished. Swiss archi­tects once called them Räum­linge. The con­ver­sa­tion with them can also be imag­ined as a dream, with famil­iar fig­ures and strange lit­tle ani­mals. The foy­er as an old danc­ing bear in a blue trouser suit. The stair­case is as wide and nar­row as nec­es­sary, dou­ble doors open and close, friend­ly or seri­ous, the hall in an aus­tere cos­tume that only shim­mers when it is turned away. Some things are inscrutable or curi­ous, you will come across rooms that you like one day and not the next, nich­es that you will some­times avoid.
At the end of a project, the dream should remain invis­i­ble; just as one still notices the wind in the rip­pling water.

/ Architecture /

When asked about the ten most impor­tant build­ings, a fel­low stu­dent once said that first he had to name the apart­ments and hous­es of his child­hood and youth, and only then did works of archi­tec­tur­al his­to­ry come to mind. Even if there is a stub­born inward­ness in the answer, every room in a house should be treat­ed as if it were of par­tic­u­lar impor­tance.

If there is an eye­less lan­guage that some writ­ers fear falling back into, how would one rec­og­nize an eye­less and silent build­ing? Rooms that don’t answer and don’t want to show them­selves, in the dream this could be a mute per­son with­out a face or age who leaves you per­plexed. The Russ­ian archi­tect Alexan­der Brod­sky called one of his build­ings, which seemed to him to be less suc­cess­ful than oth­ers, a house that still lacks a soul.

/ Clothing /

Unfor­tu­nate­ly, Johan­na gave up her plan to sew a sep­a­rate dress for each project due to time con­straints. She reg­u­lar­ly empha­sizes that she will make up for it one day; a lit­tle implau­si­ble.

An old­er col­league likes to say that of the hun­dred hous­es he had built, not a sin­gle one was like any oth­er. He did­n’t set out to do that, it just hap­pened that way. You can find that non­sen­si­cal, or hap­py.

The metaphor of the home as a tai­lor-made suit is more rem­i­nis­cent of a bygone era. Both should still sit well today, some­times be com­fort­able and prac­ti­cal, some­times sober and func­tion­al, and usu­al­ly look good at the same time.

/ Colors and butterflies /

We would like to set a rule that at least one room in every house should be paint­ed dark. We are still look­ing for an incon­testable deriva­tion.

Until 1257, the Cis­ter­cians were for­bid­den to use col­ors on their build­ings. Neces­si­ty is the moth­er of inven­tion, and every nuance seemed worth the effort: even lead glass panes were now tint­ed using the elab­o­rate gri­saille tech­nique in fine gra­da­tions from clear white to gray to anthracite. So the ban remained half-heart­ed and was even­tu­al­ly lift­ed. Col­ors returned to the sur­faces of the build­ings.

Sun­day, Mon­day, Wednes­day: home­ly and col­or­ful, dark grey and mus­tard yel­low.
Tues­day, Thurs­day: dar­ing and agile, ore red and petrol blue.
Fri­day, Sat­ur­day: moody, cheer­ful, errat­ic and sim­ple, per­haps more in mint green and water gray. Sketch of the col­ors and moods of a week.

Free and artis­tic ele­ments can be scat­tered through­out a project like but­ter­flies. They come into con­tact with the user, per­haps as the shoe­horn, to slip into the fray. This could be a talk­ing clock or a fly­ing lamp­shade.

/ Bricolage /

As a tra­di­tion­al com­pa­ny name, the name Gebrüder Schu­berth would have been obvi­ous, but Gre­gor was unable to get away with it, and it would also have been incor­rect.

How much con­trast and con­trast are nec­es­sary to cre­ate effect and dra­ma is some­thing we are always con­cerned with. Is it pos­si­ble to imag­ine a har­mo­ny of oppo­sites? A per­ma­nence and liv­ing force that grows from oppo­sites? Whether you pre­fer to stir the uneven lay­ers in Fru-Fru or spoon them out one after the oth­er is a ques­tion of tech­nique, taste or mood — in essence, our pre­oc­cu­pa­tion.

/ Contact /

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